Cross Media Convergence and Synergy are vital processes in the successful
marketing of a media product to audiences. To what extent do you agree in
relation to you case studies?
We rely heavily on technology for many areas of our lives,
including the marketing and distribution of media products. I believe that technology
makes it possible to market a film with ease and to wider audiences. However, I
think it is more difficult for smaller budget films to use synergy or cross
media convergence due to a lack of finances and not being well known to
worldwide audiences.
‘The big six’ global institutions (Universal, paramount, 21st
century Fox, Warner Bro’s, Sony and Disney) all find producing films a lot
easier and will continue to be successful as they have the money to distribute
and advertise their creations to worldwide audiences.
A movie produced by Disney titled “Guardians of the Galaxy”
is a good example of a movie that successfully used synergy. A ‘Guardians of
the Galaxy’ Animated Series is planned to be shown on Disney XD. Disney is
always looking for multiple platforms to increase brand recognition and to
introduce a wider audience. Disney looks to the small screen for new
opportunities as well as huge cinematic releases. An animated series will no
doubt appeal to younger fans (i.e. children) that don’t necessarily fall into
the film’s PG-13 demographic. Attracting a younger audience will not only lead
to increased ticket sales, but also a higher level of interest in the
merchandise (especially toys) that will showcase Rocket Raccoon, Groot, and
space action.
Cross media convergence was also a vital part of the film and
its ongoing success. When director James Gunn began assembling the soundtrack
for his Marvel superhero movie, he wanted familiar hits but not music that is
overplayed on the radio.
As he worked, the director compiled a playlist of tunes, most
from the Seventies, that he thought the character would have liked. David
Bowie, the Runaways and the Jackson 5 all make appearances. A week after its release, Guardians of the
Galaxy: Awesome Mix Vol. 1 topped the album charts, becoming the first
soundtrack ever to do so without having a single original song.
It is clear that these processes added to the success of the
film but it would have been successful even without synergy or cross media
convergence due to the brand recognition by the audience and the large budgets
that large media conglomerates have.
On the other hand, small budget, independent films would
benefit a lot more from synergy and cross media convergence but it is a lot
more difficult for them to get involved in these processes.
An example of an independent film that was successful with
synergy and cross media convergence is “Honey Trap”.
The director of the film, Rebecca Johnson, collaborated with
a number of people to create her movie. She collaborated with Sarah Sulick, to
produce the film – David Raedeker who directed the photography – Tracy Granger
who edited the film. They all contributed in the production of the film. She
also collaborated with Julie Fawcett who is the Community Liaison and it was
her permission that was needed to film in the Community Trust Neighbourhood
Centre and she was able to gather enough youths for the production.
An example of synergy is the music used in the film that was
compiled and produced by Bucks Music Group. Artists on board include critically
acclaimed grime artist MC Killa P.
The cross media convergence of the film also helped its distribution
and marketing. The film is linked in to other film festivals but does not have
any major conventions. However it is going to be made as a co-production
between Bright Pictures and Fierce Productions.
To conclude, I believe synergy and cross media convergence
has a different importance for smaller budget films than it does for huge media
producers and conglomerates. I think large media conglomerates use these
processes to create as much money as possible and keep large successful films successful
for as long as possible. On the other hand, smaller budget films use it to gain
the recognition they may desperately need to reach as wide an audience as possible;
therefore, it is a lot more meaningful for smaller film producers.
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